I just sold a canvas of Flamingos Taking Off. When someone buys a print, I always enjoy telling them the story behind the photo.
I took this image of Lesser Flamingos while visiting the Serengeti in Spring of 2012 on one of my photo tours that I lead in Tanzania.
On March 16th, our group drove to sunset at Lake Ndutu, an area just off the southern tip of the Serengeti where the famed migration is at that time of year. Lake Ndutu is packed with flamingos but I noticed this group of six wading together very tightly and followed them with my lens for several minutes. My patience paid off because, suddenly, they formed a line and started running. I pressed the shutter button as the first in line spread its wings to take flight. Seconds later, they were all in the air.
A few months ago, I sat down with Nancy McKeithen, Editor and Publisher of Fluent Magazine. Nancy interviewed me about a variety of photography-related topics – everything from my background, what I like to photograph, my frame of mind when I do, and gear that I use.
My new photo safaris in 2016 are ready and now listed on my site. Both are amazing 11-day, 10-night safaris where you will stay at exclusive camps right in the parks. I’ve designed them to put you right in the middle of the action so you can come home with great images.
Both safaris hit the best locations in Tanzania’s northern circuit:
I just sold a framed print of Boat and Reflection of Colorful Houses: 10 x 18 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
This image was taken on a trip to Italy in May, 2008.
I just sold a framed print of Baobab Tree at Sunset: 12 x 18 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
I just sold a framed print of Zebras and Wildebeest Running: 12 x 36 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
UPDATE 12/15/2014: I’ve caught some grief in online discussion groups for the images in this post and it made me realize I should have been more clear about my intentions. You can find articles everywhere online that show off the best a camera can do. The images here are not those. My goal was to illustrate challenges the X-T1 has and where Fuji needs to improve the X Series features if they want to better serve certain markets (sports, wildlife, etc.).
The other goal I had for this post was provide an answer to the question I’ve received more than once from my clients: should they bring their mirrorless camera on one of my safaris? Until now, I’ve had to say, “I don’t know.” With this experience, I can give them a more balanced answer.
In a recent post, I described the kit I took on the most recent photo tour I led to Africa. The kit included the Fuji X-T1 and in this post, I’m going to talk about my impressions of using that X-T1 in the field, how well it performed, and whether I would bring it again. At the end is a gallery of images I made with the X-T1.
As always, our camp was located in an incredible setting in the middle of the Moru Kopjes, south of the center of the Serengeti, our final park on this safari. We were there for 4 nights and were treated to excellent wildlife sightings, the calls of lions and hyena in the night, and vibrant sunsets as we ate dinner while watching the migration herds go by on the plains below.
This year, the migrations herds came south early so they were right around our camp for our entire stay. We had many opportunities to shoot them as they wound their way south:
The Ngorongoro Crater is a special place and although we only had one and a half days there this Fall, it treated us well. The weather was cool and crisp in the mornings and sunny and warm midday.
We were off to a great start by coming upon a male lion and his cub almost immediately after descending the access road. Very difficult to photograph well since they were staying in the long grass. We saw a black rhino mother and her calf in the distance but they tend to avoid coming too close to the roads. Photographing them at such long distances is tough because, even though you have them in focus, you tend to get atmospheric refraction which gives you something like a “mirage” look.
At our picnic spot by the water, a bull elephant gave us a rare show by partially submerging himself and then swimming past the resident pod of hippo as he made his way to the soft grasses on the bank:
Tarangire National Park in October never disappoints and we had some of the best sightings of our safari here. Our weather was very sunny but we had a small rain shower on two of the three days which led to dramatic skies for photography.
With the dry season in full effect, the animals congregated by the Tarangire river – the main source of water in the park. Tarangire is known for elephants and we saw large family groups bathing by the river. We even had a mother and child right outside our rooms at lunch time. One day we drove down past the Silale Swamp with beautiful views to the east. We caught this line of elephants heading towards a pool for a bath: