Last week’s gallery opening in Arlington, MA was a big success. For those of you who aren’t local or couldn’t make it, I’ll post the images of Paris that I’m showing there over the coming weeks on my Facebook page – be sure to follow me there.
In Photo Tour news, my March 2017 photo safari is now ready and listed on this site and I’m excited that I can offer it at the same price as my 2016 tour. It’s an amazing 11-day, 10-night safari where you will stay at exclusive camps right in the parks. I’ve designed it to put you right in the middle of the action so you can come home with great images.
March is at the end of the foaling season in the Serengeti: you will see young zebras and wildebeest among the herds. The Ngorongoro Crater is lush and green and Tarangire is full of amazing baobabs and elephants for us to photograph. You can find all of the details about this safari here.
Contact me soon if you would like to join the group on this great photographic opportunity!
I’m showing 10 prints from my Paris Studies collection in a group show: SIX VISIONS: Photography and Sculpture at the Old Schwamb Mill. We hung the show last week (picture here) and reviews are already positive!
If you are in the Boston area, please join us at the opening reception this Saturday, April 2, from 3 – 5pm at The Old Schwamb Mill, 17 Mill Lane, Arlington, MA 02476.
The Old Schwamb Mill is also having its Springtime Open House that day starting at 11am. The Mill is famous for turning oval, wooden frames and, if you come that early, you can see demonstrations before you visit the galleries on the second floor.
If you can’t make the opening reception, the show will remain open until the closing reception on Saturday, June 4 (times TBA). Please check the Mill’s website for their opening hours when you can view the exhibit.
I just sold a canvas of Flamingos Taking Off. When someone buys a print, I always enjoy telling them the story behind the photo.
I took this image of Lesser Flamingos while visiting the Serengeti in Spring of 2012 on one of my photo tours that I lead in Tanzania.
On March 16th, our group drove to sunset at Lake Ndutu, an area just off the southern tip of the Serengeti where the famed migration is at that time of year. Lake Ndutu is packed with flamingos but I noticed this group of six wading together very tightly and followed them with my lens for several minutes. My patience paid off because, suddenly, they formed a line and started running. I pressed the shutter button as the first in line spread its wings to take flight. Seconds later, they were all in the air.
A few months ago, I sat down with Nancy McKeithen, Editor and Publisher of Fluent Magazine. Nancy interviewed me about a variety of photography-related topics – everything from my background, what I like to photograph, my frame of mind when I do, and gear that I use.
My new photo safaris in 2016 are ready and now listed on my site. Both are amazing 11-day, 10-night safaris where you will stay at exclusive camps right in the parks. I’ve designed them to put you right in the middle of the action so you can come home with great images.
Both safaris hit the best locations in Tanzania’s northern circuit:
I just sold a framed print of Boat and Reflection of Colorful Houses: 10 x 18 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
This image was taken on a trip to Italy in May, 2008.
I just sold a framed print of Baobab Tree at Sunset: 12 x 18 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
I just sold a framed print of Zebras and Wildebeest Running: 12 x 36 inches plus matte and frame. When someone buys a print, I always enjoy telling them the story behind the photo.
UPDATE 12/15/2014: I’ve caught some grief in online discussion groups for the images in this post and it made me realize I should have been more clear about my intentions. You can find articles everywhere online that show off the best a camera can do. The images here are not those. My goal was to illustrate challenges the X-T1 has and where Fuji needs to improve the X Series features if they want to better serve certain markets (sports, wildlife, etc.).
The other goal I had for this post was provide an answer to the question I’ve received more than once from my clients: should they bring their mirrorless camera on one of my safaris? Until now, I’ve had to say, “I don’t know.” With this experience, I can give them a more balanced answer.
In a recent post, I described the kit I took on the most recent photo tour I led to Africa. The kit included the Fuji X-T1 and in this post, I’m going to talk about my impressions of using that X-T1 in the field, how well it performed, and whether I would bring it again. At the end is a gallery of images I made with the X-T1.
As always, our camp was located in an incredible setting in the middle of the Moru Kopjes, south of the center of the Serengeti, our final park on this safari. We were there for 4 nights and were treated to excellent wildlife sightings, the calls of lions and hyena in the night, and vibrant sunsets as we ate dinner while watching the migration herds go by on the plains below.
This year, the migrations herds came south early so they were right around our camp for our entire stay. We had many opportunities to shoot them as they wound their way south: